Tuesday, 22 January 2008
Wednesday, 16 January 2008
Questionnaire
Hi, we've posted our questionnaire on our blog too if you'd be as kind as to answer the questions. Thanks!
Monday, 7 January 2008
go on u no u want to...
tell us what u think of our film and we'll return the favor!!!!!!!!
thanks
rosie and hannah
xxxx
thanks
rosie and hannah
xxxx
Thursday, 20 December 2007
Wednesday, 12 December 2007
hello vicki
Just wanted to apologise for my absence. I am very ill. I have the flu and have a chest infection, cant talk and unfortunately I am unable to walk very well cos I now have muscle spasm in my back. Because of these things I am struggling to get out of bed and I am finding it difficult to complete my work for you. I am not sure when I will be back to school but I hope you know I will do my best to catch up with my work but I may need an extension so I can do my work to the best of my ability. Sorry again and I hope you are well. Say hi to everyone for me please!
Thanks
Pittsy!
Thanks
Pittsy!
Wednesday, 21 November 2007
DEADLINES - 23rd NOVEMBER DRAFT FILM
Please make sure you submit your draft film on your blog or on disc to me by 3.00pm Friday 23rd November.
Tuesday, 16 October 2007
Section 7 Screenplay
Untitled
By Brett Harrison, Ellen Wilkinson and James Sture.
Post-Production Script- 4th October 2007
HYPERLINK "http://www.a2shortfilmbse.blogspot.com" http://a2shortfilmbse.blogspot.com /
1. INT. ALEC’S BEDROOM
IT IS EARLY MONDAY MORNING, IT IS STILL DARK AND THERE IS THE SOUND OF RUSTLING BEDSHEETS. A CIGARETTE IS LIT IN A DARK ROOM AND THE FACIAL FEATURES OF ALEC CAN BE PARTIALLY SEEN.
THE SOUND OF AN ALARM GOES OFF AND THE CAMERA CUTS TO THE ALARM AND ALEC’S HAND TURNING IT OFF.
SUBTITLE MONDAY
2. EXT. OUTSIDE ALEC’S HOUSE
THE SUN IS SHINNING, THE WEATHER IS COLD AND CRISP… ALEC IS MOODY AS HE WALKS OUT INTO THE STREET. THE STREET IS EMPTY APART FROM AN OLD HOMELESS PERSON ON THE CORNER OF HIS STREET.
HOBO
PLEASE MATE, YOU GOT ANY CHANGE?
ALEC
(SIGHS)
(RUMMAGES IN HIS POCKET, PULLS OUT HIS CHANGE AND LOOKS AT IT.)
(HANDS IT TO THE HOBO)
HOBO
(TAKES IT SMILES)
THANKS MATE
ALEC
(WALKING AWAY, BACK TO THE HOBO, PUTS HIS HAND UP AND WAVES)
DON’T MENTION IT
3. WALKING FURTHER DOWN THE STREET HE COMES TO A GATE WERE HIS NEIGHBOUR IS PUTTING OUT HIS BINS.
NEIGHBOUR
WELL HELLO ALEC.
SOUNDS LIKE YOU HAD FUN LAST NITE.
ALEC
ERM.. YEAH SORRY ‘BOUT THAT, WE GOT A BIT DRUNK YOU SEE.
NIEGHBOUR
AHH, ITS OK BUT MAKE SURE IT DOESN’T HAPPEN TO OFTEN!!
ALEC
NEXT TIME I’LL INVITE YOU SO YOU CANT COMPLAIN.
BOTH MEN LAUGH GENTLY AND SLOWLY WALK AWAY FROM EACH OTHER.
4. EXT
CUTS TO HIM COMING TO THE BOTTOM OF THE STREET HE CARRIES ON WALKING TO WORK ALONG HIS USAL ROUTE.
HE COMES TO THE BOTTOM OF THE STREET WHERE THERES A BUS STOP WHERE A FANTASIC LOOKING WOMEN WHOM CATCHES HIS EYE.
ALEC
HI THERE,
ANGELINA
HI
(SMILES UNSURE)
ALEC
I SEE YOU HERE EVERYDAY, IF YOU DON’T MIND ME ASKING WHERE IS IT YOUR GOING TO?
ANGLEINA
JUST TO WORK, NO WERE INTRESTING
ALEC
ANY WERE I’D KNOW?
ANGELEINA
JUST THE ESTATE AGENTS IN TOWN
ALEC
RIGHT I WORK JUST DOWN THE ROAD FROM THERE AT THE INSURANCE COMPANY
(PAUSE)
LOOK I SEE YOU EVERYDAY I’VE BEEN MEANING TO ASK YOU….
BUS ARRIVES
ANGELINA
(LOOKS APOLOGETIC)
I BETTER GO THIS IS ME
EXT.
5.ALEC LOOKS AT THE BUS AS IT MOVES OFF INTO THE DISTANCE, THEN GOES TO CROSS THE ROAD AS, HE DOES A CAR APPROACHS WE HE NOTICES JUST IN TIMES AND QUICKLY STEPS BACK ONTO THE PAVEMENT AS THE CAR DRIVES PAST, NARROWLY MISSING HIM.
ALEC
MORON YOU NOT KNOW TO LOOK FOR PEDISTRIANS
6. INT. ALEC’S BEDROOM
THE SOUND OF AN ALARM GOES OFF AND THE CAMERA CUTS TO THE ALARM AND ALEC’S HAND TURNING IT OFF.
ALEC
(GROANS IN ANNOYANCE AT THE ALARM)
SUBTITLE MONDAY
7. EXT. OUTSIDE ALEC’S HOUSE
THE SCENE IS THE SAME AS BEFORE THE SUN IS SHINNING, THE WEATHER IS COLD AND CRISP… ALEC IS MOODY AS HE WALKS OUT INTO THE STREET. THE STREET IS EMPTY APART FROM AN OLD HOMELESS PERSON ON THE CORNER OF HIS STREET.
HOBO
EXCUSE ME MATE..YOU GOT ANY SPARE CHANGE?
ALEC
NO I DON’T I GAVE YOU SOME YESTERDAY WAIT TILL ANOTHER DAY!
HOBO
(MUMBLES)
OH WELL I DON’T REMEMBER THAT
ALEC
YEAH YOU WOULDN’T, PEOPLE LIKE YOU DON’T CARE ABOUT SCROUNGING MONEY OFF OTHERS WHO WORK HARD FOR IT
7. AS HE DID YESTERDAY HE WALKS FURTHER DOWN THE STREET HE COMES TO A GATE WERE HIS NEIGHBOUR IS PUTTING OUT HIS BINS.
ALEC
MORNING, YOU DOING MUCH TODAY?
NEIGHBOUR
NO I’M BLOODY NOT I COULDN’T SLEEP LAST NIGHT BECAUSE OF YOUR PARTY! AND NOW I’VE GOT TO CLEAR UP YOUR RUBBISH IN MY GARDEN!
ALEC
(LOOKS INDIGNANT)
WAIT A MINUTE MATE, THERE WAS NO PARTY LAST NITE, IT WAS ON SUNDAY NIGHT AND ITS TUESDAY NOW!
NEIGHBOUR
YOU MUST HAVE HAD A LOT TO DRINK LAST NIGHT ITS MONDAY!
ALEC
(LOOKS CONFUSED)
I’VE GOT TO BE GOING. WE’L TALK LATER
(WALKS OFF DEEP IN THOUGHT)
8.HIS THOUGHT IS BROKEN WHEN HE REACHES THE BUS STOP AND ONCE AGAIN SEE’S ANGELINA.
ALEC
I’M GLAD I DIDN’T MISS YOU, THOUGHT YOUR BUS MIGHT HAVE ALREADY GONE.
ANGELINA:
SORRY… WHAT?
(LOOKS CONFUSED)
ALEC
PLAYING HARD TO GET, I LIKE THAT IN A WOMEN
ANGELINA
EXCUSE ME BUT I DON’T KNOW WHAT YOU THINK..
ALEC
(INTERUPTS HER)
(SEES THE BUS IN THE DISTANCE)
BLOODY HELL WHAT IS IT WITH THESE BUSES, YOU GET EM TIMED OR SUMMAT?!
ANGELINA
(GIVES HIM A FILTHY LOOK)
FLAGS DOWN THE BUS AND LEAVES
ALEC
ALRIGHT THEN DOLL FACE SEE YOU AROUND
8. NOT BOTHERING TO LOOK HE SWAGGERS OUT INTO THE ROAD AS AN ON COMING CAR BEEPS ITS HORN AND HE STEPS BACK OUT OF THE WAY.
ALEC
LOOKING FURIOUS
DICKHEAD, WHAT YOU PLAYING AT
(MUMBLES UNDER HIS BREATH MORE OBSENTIYS)
9. INT. ALEC’S BEDROOM
A REPEAT OF THE OPENING SCENE IT IS EARLY MONDAY MORNING, IT IS STILL DARK AND THERE IS THE SOUND AN ALARM GOING OFF AND THE CAMERA CUTS TO THE ALARM AND ALEC’S HAND TURNING IT OFF.
ALEC
FUCKS SAKE
BLOODY ALARM
SUBTITLE MONDAY
10. EXT. OUTSIDE ALEC’S HOUSE
THE SCENE IS THE SAME AS BEFORE THE SUN IS SHINNING, THE WEATHER IS COLD AND CRISP… ALEC IS MOODY AS HE WALKS OUT INTO THE STREET. THE STREET IS EMPTY APART FROM AN OLD HOMELESS PERSON ON THE CORNER OF HIS STREET.
HOBO
PLEASE… MATE, YOU GOT ANY CHANGE?
ALEC
(SNEERS AT THE GUY CARRIES ON WALKING)
HOBO
MATE PLEASE
(HOLDS HIS HAND OUT AS IF TO MAKE HIM GIVE SOMETHING)
PLEASE JUST A BIT OF…
(TRAILS OFF AS ALEC TURNS AROUND.)
ALEC
(TURNS AROUND TO LOOK AT THE MAN)
DO YOU REALLY THINK I WOULD GIVE ANYTHING TO SOMEONE LIKE YOU.
YOU’RE A BUM
(STRIDES OFF)
11. ALEC CONTINUES DOWN THE ROAD, AS HE NEARS A GATE HE SEES HIS NEIGHBOUR PUTTING HIS RUBBISH OUT, FROM HIS BODY LANGUAGE WE CAN TELL ALEC DOESN’T WANT HIM TO SEE HIM. HE HASTENS HIS PACE.
NEIGHBOUR
OI ALEC, WHATS WITH ALL THE NOISE LAST NIGHT, SOME OF US WERE TRYING TO SLEEP
ALEC
LOOK MATE I DON’T KNOW WHAT YOUR PROBLEM IS
NEIGHBOUR
(GETTING MORE ANNOYED)
MY PROBLEM, MY PROBLEMS YOU
ALEC
TELL SOMEONE WHO CARES OLD MAN
(STRIDES OFF)
12. CUTS TO HIM COMING TO THE BOTTOM OF THE STREET HE CARRIES ON WALKING TO WORK ALONG HIS USUAL ROUTE.
ALEC IS WALKING DOWN THE STREET TILL HE GETS TO A BUS STOP WHERE A FANTASIC LOOKING WOMEN WHOM CATCHES HIS EYE.
ALEC
(EYES HER UP AS HE APPROACHS)
MORNING… BEAUTIFUL
OFF TO WORK THEN?
ANGELINA
(SMILES ARKWARDLY)
YEA
ALEC
(OBLVIOUS TO HER DISCOMFORT)
YOU FREE THIS WEEKEND?
ANGELINA
(STARTS TO MAKE AN EXCUSE FOR HER BEING BUSY)
ALEC
(CARRIES ON NOT STOPPING FOR HER TO TALK.)
RIGHT I’LL TAKE YOU FOR A DRINK
I’LL PICK YOU UP AT 8 THEN.
ANGELINA
(LOOKS DESPERATELY IN HOPE OF SEEING THE BUS)
IT LOOKS LIKE I’VE MISSED MY BUS I’M GOING TO GO GET THE TRAIN, I’M GUNNA GO. I DON’T THINK THIS WEEKENDS GOOD FOR ME.
(WALKS AWAY HURRIDLY.)
ALEC
YOUR LOSS SWEETHEART
(THROWS HIS ARM AS IF THROWING SOMETHING AWAY)
13. HE STORMS OFF IN THE OTHER DIRECTION.
CUTS TO HIM STEPPING OUT ONTO THE ROAD ONCE AGAIN NOT CARRYING TO LOOK FOR ONCOMING TRAFFIC.
14. INT
THIS SHOT IS FROM THE INTERIOR OF THE CAR THE DRIVERS PERSPECTIVE AS THE CAR DRAWS NEARER ALEC.
THE SOUND OF SCREECHING TYRES
SUBTITLES TUESDAY
15. INT
A SHOT OF ALECS BED EMPTY, SOUND OF THE ALARM CLOCK GOING OFF.
By Brett Harrison, Ellen Wilkinson and James Sture.
Post-Production Script- 4th October 2007
HYPERLINK "http://www.a2shortfilmbse.blogspot.com" http://a2shortfilmbse.blogspot.com /
1. INT. ALEC’S BEDROOM
IT IS EARLY MONDAY MORNING, IT IS STILL DARK AND THERE IS THE SOUND OF RUSTLING BEDSHEETS. A CIGARETTE IS LIT IN A DARK ROOM AND THE FACIAL FEATURES OF ALEC CAN BE PARTIALLY SEEN.
THE SOUND OF AN ALARM GOES OFF AND THE CAMERA CUTS TO THE ALARM AND ALEC’S HAND TURNING IT OFF.
SUBTITLE MONDAY
2. EXT. OUTSIDE ALEC’S HOUSE
THE SUN IS SHINNING, THE WEATHER IS COLD AND CRISP… ALEC IS MOODY AS HE WALKS OUT INTO THE STREET. THE STREET IS EMPTY APART FROM AN OLD HOMELESS PERSON ON THE CORNER OF HIS STREET.
HOBO
PLEASE MATE, YOU GOT ANY CHANGE?
ALEC
(SIGHS)
(RUMMAGES IN HIS POCKET, PULLS OUT HIS CHANGE AND LOOKS AT IT.)
(HANDS IT TO THE HOBO)
HOBO
(TAKES IT SMILES)
THANKS MATE
ALEC
(WALKING AWAY, BACK TO THE HOBO, PUTS HIS HAND UP AND WAVES)
DON’T MENTION IT
3. WALKING FURTHER DOWN THE STREET HE COMES TO A GATE WERE HIS NEIGHBOUR IS PUTTING OUT HIS BINS.
NEIGHBOUR
WELL HELLO ALEC.
SOUNDS LIKE YOU HAD FUN LAST NITE.
ALEC
ERM.. YEAH SORRY ‘BOUT THAT, WE GOT A BIT DRUNK YOU SEE.
NIEGHBOUR
AHH, ITS OK BUT MAKE SURE IT DOESN’T HAPPEN TO OFTEN!!
ALEC
NEXT TIME I’LL INVITE YOU SO YOU CANT COMPLAIN.
BOTH MEN LAUGH GENTLY AND SLOWLY WALK AWAY FROM EACH OTHER.
4. EXT
CUTS TO HIM COMING TO THE BOTTOM OF THE STREET HE CARRIES ON WALKING TO WORK ALONG HIS USAL ROUTE.
HE COMES TO THE BOTTOM OF THE STREET WHERE THERES A BUS STOP WHERE A FANTASIC LOOKING WOMEN WHOM CATCHES HIS EYE.
ALEC
HI THERE,
ANGELINA
HI
(SMILES UNSURE)
ALEC
I SEE YOU HERE EVERYDAY, IF YOU DON’T MIND ME ASKING WHERE IS IT YOUR GOING TO?
ANGLEINA
JUST TO WORK, NO WERE INTRESTING
ALEC
ANY WERE I’D KNOW?
ANGELEINA
JUST THE ESTATE AGENTS IN TOWN
ALEC
RIGHT I WORK JUST DOWN THE ROAD FROM THERE AT THE INSURANCE COMPANY
(PAUSE)
LOOK I SEE YOU EVERYDAY I’VE BEEN MEANING TO ASK YOU….
BUS ARRIVES
ANGELINA
(LOOKS APOLOGETIC)
I BETTER GO THIS IS ME
EXT.
5.ALEC LOOKS AT THE BUS AS IT MOVES OFF INTO THE DISTANCE, THEN GOES TO CROSS THE ROAD AS, HE DOES A CAR APPROACHS WE HE NOTICES JUST IN TIMES AND QUICKLY STEPS BACK ONTO THE PAVEMENT AS THE CAR DRIVES PAST, NARROWLY MISSING HIM.
ALEC
MORON YOU NOT KNOW TO LOOK FOR PEDISTRIANS
6. INT. ALEC’S BEDROOM
THE SOUND OF AN ALARM GOES OFF AND THE CAMERA CUTS TO THE ALARM AND ALEC’S HAND TURNING IT OFF.
ALEC
(GROANS IN ANNOYANCE AT THE ALARM)
SUBTITLE MONDAY
7. EXT. OUTSIDE ALEC’S HOUSE
THE SCENE IS THE SAME AS BEFORE THE SUN IS SHINNING, THE WEATHER IS COLD AND CRISP… ALEC IS MOODY AS HE WALKS OUT INTO THE STREET. THE STREET IS EMPTY APART FROM AN OLD HOMELESS PERSON ON THE CORNER OF HIS STREET.
HOBO
EXCUSE ME MATE..YOU GOT ANY SPARE CHANGE?
ALEC
NO I DON’T I GAVE YOU SOME YESTERDAY WAIT TILL ANOTHER DAY!
HOBO
(MUMBLES)
OH WELL I DON’T REMEMBER THAT
ALEC
YEAH YOU WOULDN’T, PEOPLE LIKE YOU DON’T CARE ABOUT SCROUNGING MONEY OFF OTHERS WHO WORK HARD FOR IT
7. AS HE DID YESTERDAY HE WALKS FURTHER DOWN THE STREET HE COMES TO A GATE WERE HIS NEIGHBOUR IS PUTTING OUT HIS BINS.
ALEC
MORNING, YOU DOING MUCH TODAY?
NEIGHBOUR
NO I’M BLOODY NOT I COULDN’T SLEEP LAST NIGHT BECAUSE OF YOUR PARTY! AND NOW I’VE GOT TO CLEAR UP YOUR RUBBISH IN MY GARDEN!
ALEC
(LOOKS INDIGNANT)
WAIT A MINUTE MATE, THERE WAS NO PARTY LAST NITE, IT WAS ON SUNDAY NIGHT AND ITS TUESDAY NOW!
NEIGHBOUR
YOU MUST HAVE HAD A LOT TO DRINK LAST NIGHT ITS MONDAY!
ALEC
(LOOKS CONFUSED)
I’VE GOT TO BE GOING. WE’L TALK LATER
(WALKS OFF DEEP IN THOUGHT)
8.HIS THOUGHT IS BROKEN WHEN HE REACHES THE BUS STOP AND ONCE AGAIN SEE’S ANGELINA.
ALEC
I’M GLAD I DIDN’T MISS YOU, THOUGHT YOUR BUS MIGHT HAVE ALREADY GONE.
ANGELINA:
SORRY… WHAT?
(LOOKS CONFUSED)
ALEC
PLAYING HARD TO GET, I LIKE THAT IN A WOMEN
ANGELINA
EXCUSE ME BUT I DON’T KNOW WHAT YOU THINK..
ALEC
(INTERUPTS HER)
(SEES THE BUS IN THE DISTANCE)
BLOODY HELL WHAT IS IT WITH THESE BUSES, YOU GET EM TIMED OR SUMMAT?!
ANGELINA
(GIVES HIM A FILTHY LOOK)
FLAGS DOWN THE BUS AND LEAVES
ALEC
ALRIGHT THEN DOLL FACE SEE YOU AROUND
8. NOT BOTHERING TO LOOK HE SWAGGERS OUT INTO THE ROAD AS AN ON COMING CAR BEEPS ITS HORN AND HE STEPS BACK OUT OF THE WAY.
ALEC
LOOKING FURIOUS
DICKHEAD, WHAT YOU PLAYING AT
(MUMBLES UNDER HIS BREATH MORE OBSENTIYS)
9. INT. ALEC’S BEDROOM
A REPEAT OF THE OPENING SCENE IT IS EARLY MONDAY MORNING, IT IS STILL DARK AND THERE IS THE SOUND AN ALARM GOING OFF AND THE CAMERA CUTS TO THE ALARM AND ALEC’S HAND TURNING IT OFF.
ALEC
FUCKS SAKE
BLOODY ALARM
SUBTITLE MONDAY
10. EXT. OUTSIDE ALEC’S HOUSE
THE SCENE IS THE SAME AS BEFORE THE SUN IS SHINNING, THE WEATHER IS COLD AND CRISP… ALEC IS MOODY AS HE WALKS OUT INTO THE STREET. THE STREET IS EMPTY APART FROM AN OLD HOMELESS PERSON ON THE CORNER OF HIS STREET.
HOBO
PLEASE… MATE, YOU GOT ANY CHANGE?
ALEC
(SNEERS AT THE GUY CARRIES ON WALKING)
HOBO
MATE PLEASE
(HOLDS HIS HAND OUT AS IF TO MAKE HIM GIVE SOMETHING)
PLEASE JUST A BIT OF…
(TRAILS OFF AS ALEC TURNS AROUND.)
ALEC
(TURNS AROUND TO LOOK AT THE MAN)
DO YOU REALLY THINK I WOULD GIVE ANYTHING TO SOMEONE LIKE YOU.
YOU’RE A BUM
(STRIDES OFF)
11. ALEC CONTINUES DOWN THE ROAD, AS HE NEARS A GATE HE SEES HIS NEIGHBOUR PUTTING HIS RUBBISH OUT, FROM HIS BODY LANGUAGE WE CAN TELL ALEC DOESN’T WANT HIM TO SEE HIM. HE HASTENS HIS PACE.
NEIGHBOUR
OI ALEC, WHATS WITH ALL THE NOISE LAST NIGHT, SOME OF US WERE TRYING TO SLEEP
ALEC
LOOK MATE I DON’T KNOW WHAT YOUR PROBLEM IS
NEIGHBOUR
(GETTING MORE ANNOYED)
MY PROBLEM, MY PROBLEMS YOU
ALEC
TELL SOMEONE WHO CARES OLD MAN
(STRIDES OFF)
12. CUTS TO HIM COMING TO THE BOTTOM OF THE STREET HE CARRIES ON WALKING TO WORK ALONG HIS USUAL ROUTE.
ALEC IS WALKING DOWN THE STREET TILL HE GETS TO A BUS STOP WHERE A FANTASIC LOOKING WOMEN WHOM CATCHES HIS EYE.
ALEC
(EYES HER UP AS HE APPROACHS)
MORNING… BEAUTIFUL
OFF TO WORK THEN?
ANGELINA
(SMILES ARKWARDLY)
YEA
ALEC
(OBLVIOUS TO HER DISCOMFORT)
YOU FREE THIS WEEKEND?
ANGELINA
(STARTS TO MAKE AN EXCUSE FOR HER BEING BUSY)
ALEC
(CARRIES ON NOT STOPPING FOR HER TO TALK.)
RIGHT I’LL TAKE YOU FOR A DRINK
I’LL PICK YOU UP AT 8 THEN.
ANGELINA
(LOOKS DESPERATELY IN HOPE OF SEEING THE BUS)
IT LOOKS LIKE I’VE MISSED MY BUS I’M GOING TO GO GET THE TRAIN, I’M GUNNA GO. I DON’T THINK THIS WEEKENDS GOOD FOR ME.
(WALKS AWAY HURRIDLY.)
ALEC
YOUR LOSS SWEETHEART
(THROWS HIS ARM AS IF THROWING SOMETHING AWAY)
13. HE STORMS OFF IN THE OTHER DIRECTION.
CUTS TO HIM STEPPING OUT ONTO THE ROAD ONCE AGAIN NOT CARRYING TO LOOK FOR ONCOMING TRAFFIC.
14. INT
THIS SHOT IS FROM THE INTERIOR OF THE CAR THE DRIVERS PERSPECTIVE AS THE CAR DRAWS NEARER ALEC.
THE SOUND OF SCREECHING TYRES
SUBTITLES TUESDAY
15. INT
A SHOT OF ALECS BED EMPTY, SOUND OF THE ALARM CLOCK GOING OFF.
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